DO NOT DISTURB

The office siren gets lonely on work trips. Stranded in a nondescript hotel room, stripped of the context that defines her, where performance has no audience and routine loses meaning. There is no crisis, only the quiet, unglamorous weight of being somewhere she didn’t choose to be. The camera mirrors her psychological withdrawal. It begins at a distance, observing from thresholds and across rooms, the subject small against the walls that contains her. Gradually, it moves closer — pulled into her orbit as composure dissolves. Negative space becomes active; the empty room is not a background but a condition she exists in.